• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer

MAYDAY

  • Culture
  • Interviews
  • Reviews
  • Nonfiction
    • Contests
  • Translation
  • Fiction
  • Poetry
  • About
    • Submit
      • Contests
      • Contest Winners
      • MAYDAY:Black
    • Open Positions
    • Masthead
    • Contributors

Garçon
by A. Shaikh

May 25, 2021 Contributed By: A. Shaikh

This poem was selected as the winner of the 2021 MAYDAY Poetry Prize and nominated for a Pushcart Prize.

A. Shaikh
Courtesy of A. Shaikh

My father enacts a different sensitivity when he cuts my hair. His fingers are outlandish inside the kid scissors as they snip and swipe and swirl the dark matter off my shoulders, my ears. Then there is the buzz, the boysound of the electric razor as it binds to my neck. Like this, I become myself, by my father’s hand. The daughter shedding skin into something better loved. When I trace the word back in French, I am simultaneously exile and heroic. In some etymology, also wretch. The many ways to be a man. At night I wonder if this is all a desperate cry to know my father. To understand his origins. In between inches cut, I dream him young, handsome, a friend. We are in my old country and he does not purl his grief riverside. In this story, I can comfort him how only some men can comfort each other, a nightly touch so effective he never marries my mother. In this story, I cease to exist. My body no longer a body. A distant memory. Across, beyond, through. This way lies madness, my mother would say, co-opting a myth neither of us have read. I am allowed no excuse, whereas she has plenty. After the haircut, I sink to my knees in the shower, letting the heat weight wash over me. The flecks of hair spiral down. Why is this also an elegy? For the first time in months, I photograph myself. I tilt my jaw up and down, let my tongue curl over my bottom lip. I know I am undesirable to everyone but the trained eye. And so, my brother calls me his brother, and my mother doesn’t see me at all. At least we all praise my father’s skills, his kindness. How he spent Saturday morning trimming me whole.


A. SHAIKH (he/she/they) is a queer immigrant poet raised in the tangerine summers of Texas. They are the 2021 winner of THE BOILER PRIZE, an inaugural fellow of the Strange Tools Writer’s Workshop, and an Aquarius who loves the color blue. You can find their poems in Underblong, Poets.org, and elsewhere. This fall, they will continue writing as an MFA candidate in Poetry at the University of Michigan Helen Zell Writers’ Program. Their internet thoughts reside @apricotpoet.

Filed Under: Featured Content, Poetry Posted On: May 25, 2021

Further Reading

Eric Shonkwiler interviewed by David Bowen: Power & Light

Eric Shonkwiler is the author of two novels and a collection of stories and novellas. The stories in his collection, Moon Up, Past Full (Alternating Current Press, 2015), won a series of honors, including the Luminaire Award for Best Prose, shortlists for the Queen’s Ferry Press Best Small Fictions Prize and the Coalition of Texans with Disabilities […]

MARK WALLACE’S RESPONSE TO “SOME DARKER BOUQUETS”

A call for “necessarily skeptical” reviews sidesteps the issue of what makes for the best reviews: that they are informed, descriptive, substantive, insightful, and make plain the values of the reviewed text and the values of the reviewer. I read reviews to decide whether to read a book. I like reviews best that describe a […]

An Impenetrable Screen of Purest Sky by Dan Beachy-Quick (reviewed by Jacob M. Appel)

AN IMPENETRABLE SCREEN OF PUREST SKY by Dan Beachy-Quick Coffee House Press 256 pages reviewed by Jacob M. Appel On the surface, Dan Beachy-Quick’s lyrical short novel, An Impenetrable Screen of Purest Sky, is a charming and deeply-moving fairy tale of love and loss. Beneath that romantic sheen, however, lies a subtle but trenchant challenge to […]

Primary Sidebar

Recently Published

  • MAYDAY Staff Poll: Best “Break Up With the Job” Films
  • Roost Profusion
    by Karen George
  • Stigmata
    by Gabriella Graceffo
  • Speaks the Dark Lobe
    by L. I. Henley
  • Resonance
    by Ginny Bitting

Trending

  • Eight Contemporary Female Irish Artists to Fall In Love With Immediately
    by Aya Kusch
  • MAYDAY Staff Poll: Best “Break Up With the Job” Films
  • Caterpillar by Dragana Mokan
    translated from the Serbian by John K. Cox
  • I Know Who Orville Peck Is
    by Robin Gow
  • Roost Profusion
    by Karen George
  • Resonance
    by Ginny Bitting
  • This field is for validation purposes and should be left unchanged.

Footer

  • Facebook
  • Instagram
  • Twitter

Business


Reprint Rights
Privacy Policy
Archive

Engage


Open Positions
Donate
Contact Us

Copyright © 2023 · New American Press

  • This field is for validation purposes and should be left unchanged.