Contributed By: Allison Blevins
I’m going to stop coming out
in the usual I don’t want to offend you way.
I’ll tell the next children’s librarian who asks
me my husband’s name about the time
a cop held my wife against our car,
ran his hands slowly up her legs, pushed
his dry thumb inside her, then walked away.
Return to table of contents for Issue 10 Fall 2016.
Keep watch over your children. Forget about linger and loaf. Think of all the yeses you’ve spoken. Aim to be small. Remember loving the sound of some place: a hum or a whoosh. When the men come, when they…
—found in an interview with actor Levar Burton, who is African-American Listen: I'm gonna be honest with you. This is a practice I engage in every time I'm stopped by law enforcement. I've taught this…
An animal scared silent, rabbit atremble in the morning grass, belly fur slick to the ground, the ground warming to the hands of sun and light. A salt lick, discovered in a day-to-day field, crusted…
Hoohooooooo a man kneels down before an even more powerful man his hand imagines a cat with lonely fur curtain seltzer weapon lover as the train whistle scratches the face of distances a…
Where does God go when He/She gets bored with the same old, same old Universe created fourteen or so billion years ago? For God all travel has to be Domestic. No getaway from Everywhere exists unless you count the uncreated Chaos from which all things were made but to which nothing can return, not even […]
By co-opting the style and tropes of the Romantics and applying them to an ironic magical realism story, Süskind created a postmodern text liberated from the delusion of originality.
CARBON excerpts from Rana Dasgupta’s photography series LIU LI TUN photography by RongRong and inri THE WALKING THE CABBAGE PROJECT (2000-2010) photography and performance art by Han Bing COMMUNIST LATENTO installation and text-based work from Raqs Media Collective NATURALISATION exploring what it means to be British/Chinese, this series by Anthony Key uses food and other […]
