Contributed By: Cindy Veach
Somehow the sapling bears it.
Bears it and beautiful.
Doubled over with its load
of fresh snow.
All things being in its favor today—
velocity of the wind, water content of the flakes—
today’s storm will not break it.
But how close to the edge, the snap, the crack?
What weight would it take? What heaviness?
Behind Creation another story lurks, explains, complicates. The first question of the world is Form. The question does not begin with “what,” but with “how.” What philosophical and theological theories may gloss when considering ex nihilo as a creative crux is that Nothing must first exist for creation to occur in it. Tzimtzum, in midrashic and kabbalistic thought, […]
Opaline or starburst or emerald green— descriptors for barbus or brochis or gynmocorymbus. The bubble pump flares sidefins and whiskers. Aquarium fish appear as mechanical wind-up toys. They troll the bottom of pop-rock gravel. A floundering Butterfly Balloon Molly performs a sideshow for the children who muddy the clarity with their fingers or cause underwater earthquakes with a tap […]
Andrew Hudgins is the author of The Joker (Houghton Mifflin Harcourt 2013), American Rendering: New and Selected Poems (Houghton Mifflin Harcourt 2010), Shut Up, You’re Fine: Poems for Very, Very Bad Children (Overlook Press 2009), Ecstatic in the Poison (Sewanee/Overlook Press 2003), Babylon in a Jar (Houghton Mifflin 1998), The Glass Anvil (University of Michigan 1997), Saints and Strangers, After The Lost War: A Narrative, The Never-Ending: New […]
