• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer

MAYDAY

  • Culture
  • Interviews
  • Reviews
  • Nonfiction
    • Contests
  • Translation
  • Fiction
  • Poetry
  • About
    • Submit
      • Contests
      • Contest Winners
      • MAYDAY:Black
    • Open Positions
    • Masthead
    • Contributors

The Tomato by Mary Quade

October 1, 2012 Contributed By: Mary Quade

A Retelling

The forbidden—a tomato,
arousing
its vine.
Sin abides
in tendrils—
no need for a snake,
for the fork
in a tongue. She
takes her teeth
to its skin.

Knowledge isn’t crisp;
it succumbs
to her searching.
No need for
metaphor—
all flesh and seed.

Pomodori

The ecstasy of green kindling
to red—
this crisis. The sweetness
only serves to deepen
the tart bite.
Your kiss,
a lost taste;
the sheets cool.
When you leave,
I eat only tomatoes—
brighter than hearts,
wounds rubbed in salt.
Each one holds
a day that has ripened into night.

The Seedman

Someone must resist so that we may plant.

His plot, most pure,

a passionless bed. The flowers keep

to their kind. He culls.

The platonic fruit—pulped and dried.

Hornworm

I know           it has taken
by what           is missing
by what           it has left behind.
Envious           as a finger—it craves
and craves.           How does it get here,
on the delicate           hairs of
the newest           growth—a thing heavy
with creeping?           I must have
conjured it, like           sickness,
imagining its           thick grasping,
its spineless           inside
maturing           to burst.

Indeterminate

Some use cages,
but I like a stake,
driven deep.
Still, it won’t climb;
you have to tie it up,
to train it.
It doesn’t know
what it wants,
or what it wants
is to not know.

Open-faced Sandwich

Crush the leaves while pulling
the fruit
and the scent is knives
and pepper—sharp enough
to slice through suppleness.

The bread should be
willing
to accept what is given it, to not
fall apart.
And you—

set aside your clean plate.
Lean
over the sink,
drip—bliss—
into the drain.

The Myth of Poison

Crimson crepusculum—not quite
consummate—like the limbo of
laudanum, of strychnine’s sleep.
The skull yawns
over bones. A dream rattles
inside you. Your eyes
roll beneath their lids.

Peak Harvest

I cut out the cores,
the soft spots.
The best—
ugly, slipping
towards rot—
a collapse.
What beckoning,

a brimming body
languishing in the sun.

Preserved

I pluck.
The plants—
not yielding—
they offer willingly,
globes warm in my palms.
Every thing tires
of burdens,
of what it creates.
In boiling water,
the skins split, release.
Jars seal, each a
carmine memory, secrets
shelved in the cellar,
waiting
for hunger
when the world grows cold.

Return to table of contents for Issue 6 Fall 2012

Filed Under: Poetry Posted On: October 1, 2012

Further Reading

Cross-Country Skiing and Bratwurst: A Brief Study of Angela Merkel
by Deborah Flanagan

  There was no shadow over my G.D.R. childhood. Later I acted in such a way that I would not have to live in constant conflict with the state.” –Angela Merkel   As a child she stands on the diving board for the full hour of her swimming lesson: at the bell, she finally jumps. […]

Wrong Side of the Road (An Autumn Poem) by Andrew Galan

Silver escalator going up, red struck stick going down seized ebon ink trip stair, stainless dimples on fire, arch ossified glide and anatomy something done; pass Stygian sartorial Spock going down to the wrong side of the road. Caught on heartless rivet cheek, burnt by phosphorous trace grain over toecap thread — stand hard going […]

Stories Refresh the American Language:
An Interview with John Freeman
by Cal Shook

I grew up reading short stories by writers from the 1950s and 1960s and loving them: Eudora Welty, James Baldwin, J.D. Salinger.

Primary Sidebar

Recently Published

  • Two Poems
    by antmen pimentel mendoza
  • An Excerpt from Until The Victim Becomes Our Own
    by Dimitris Lyacos, translated from the Greek by Andrew Barrett
  • MAYDAY Staff Poll: Best “Break Up With the Job” Films
  • Roost Profusion
    by Karen George
  • Stigmata
    by Gabriella Graceffo

Trending

  • Eight Contemporary Female Irish Artists to Fall In Love With Immediately
    by Aya Kusch
  • Transcriptions
    by Kathleen Jones
  • An Excerpt from Until The Victim Becomes Our Own
    by Dimitris Lyacos, translated from the Greek by Andrew Barrett
  • MAYDAY Staff Poll: Best “Break Up With the Job” Films
  • Sellouts 1970: Love Story: The Year a Screenplay-Turned-Novel Almost Broke the National Book Award
    by Kirk Sever
  • I Know Who Orville Peck Is
    by Robin Gow
  • This field is for validation purposes and should be left unchanged.

Footer

  • Facebook
  • Instagram
  • Twitter

Business


Reprint Rights
Privacy Policy
Archive

Engage


Open Positions
Donate
Contact Us

Copyright © 2023 · New American Press

  • This field is for validation purposes and should be left unchanged.