Return to table of contents for PRACTICES, POWER & THE PUBLIC SPHERE Return to table of contents for Issue 2 Winter 2010
Art
ORPHANS OF PROGRESS: Workers and Political Discourse in Post-Socialist China by William Hurst with performance photography by Han Bing
From soon after his founding the Republic until the end of his tumultuous tenure as President of Indonesia, Sukarno was widely known as the dalang, or puppet master, of Indonesian politics. “Bung Karno” skillfully played off militarists, Islamists, and communists in a manner reminiscent of the puppeteer’s balancing of competing forces to maintain order in the […]
Public Action Art and Performative Interventions in the Chinese Public Sphere: an article by Maya Kóvskaya
If the expansion of the public sphere in Western history was transformative and essential in the creation of democratic, participatory polities, the character and role of the public sphere under socialism (from the former Soviet Union, to Eastern Europe, to China, North Korea and Cuba) has been radically different. In all these places, the power […]
LIU LI TUN photography by RongRong and inri
Return to table of contents for PRACTICES, POWER & THE PUBLIC SPHERE Return to table of contents for Issue 2 Winter 2010
CARBON excerpts from Rana Dasgupta’s photography series
Return to table of contents for PRACTICES, POWER & THE PUBLIC SPHERE Return to table of contents for Issue 2 Winter 2010
PRACTICES, POWER & THE PUBLIC SPHERE: Dialogical Space & Multiple Modernities in Asian Contemporary Art curated by Maya Kóvskaya
CARBON excerpts from Rana Dasgupta’s photography series LIU LI TUN photography by RongRong and inri THE WALKING THE CABBAGE PROJECT (2000-2010) photography and performance art by Han Bing COMMUNIST LATENTO installation and text-based work from Raqs Media Collective NATURALISATION exploring what it means to be British/Chinese, this series by Anthony Key uses food and other […]
David-Baptiste Chirot interviewed by Jared Schickling: FINDING THE ROOOT – 66 DAYS WITH DAVID-BAPTISTE CHIROT
[extract] this takes place by becoming aware of the flows of time seen in the dust motes in a light coming through the drawn venetian blinds of late winter’s afternoon—and mixing with these whorls of smoke from slowly burning cigarettes—if one begins to look with the sense of time being what one is seeing—then one finds […]
THE NEW EXTREME EXPERIMENTAL AMERICAN POETRY by David-Baptiste Chirot
Return to table of contents for Issue 1 Spring 2009
