MAYDAY

THE NEW EXTREME EXPERIMENTAL AMERICAN POETRY by David-Baptiste Chirot

Contributed By:

Day on Fire #017
Day on Fire #022
Day on Fire #027
Day on Fire #029
Day on Fire #051
Day on Fire #052
Day on Fire #067
Death from this Window #001
Death from this Window #003
Death from this Window #004
Death from this Window #020
Death from this Window #023
Death from this Window #024
Death from this Window #026
Death from this Window #032
Death from this Window #033
Death from this Window #034
Death from this Window #036
Death from this Window #038
Death from this Window #040
Death from this Window #042
Death from this Window #043
Death from this Window #044
Death from this Window #049
Death from this Window #053
Death from this Window #052
Death from this Window #051
Criminal Wall of Silence #086
Criminal Wall of Silence #091
Criminal Wall of Silence #107

Return to table of contents for Issue 1 Spring 2009

Filed Under: Art

Further Reading

Contributor Bios for Issue 4 Summer 2011

Issue 4 Summer 2011 ADETOKUNBO ABIOLA is a Nigerian journalist and writer. He has published Labulabu Mask, a novel (Macmillan Nigeria). He has also published in print and online magazines such as Rake Journal, BBC Focus on Africa Magazine, Flask Review, Zapata!, Liberation Lit, Sage of Consciousness Review, Africa Writer.Com, Big Pulp, the One World Global Anthology, The November 3rd Club, Mobius-Journal for Social Change, Dog Eat Crow […]

Lesson
by Charles Malone

When I ask my freshmen to read Sontag, it seems her ambiguity throws them off. Or, perhaps the precision of her questions: What is a photograph anyway and what does it do; what does it do now—now that we are feathered in them? Perhaps images are not a covering but an invasion—we are pierced with […]

LAID OPEN BETWEEN DESIRE AND DISGUST: Mithu Sen’s Threshold Poetics a critical introduction to Mithu Sen’s Half Full: Part II by Alexander Keefe

     The she-ghouls have made bracelets from intestines      and red lotus ornaments of women’s hands;      have woven necklaces of human hearts      and rouged themselves with blood in place of saffron.                  – Bhavabhuti   Mithu Sen’s gallery show, Half Full: Part II, reads like a dance of the half dead, a cremation ground lyric, a glasshouse of […]

Skip to content