Return to table of contents for PRACTICES, POWER & THE PUBLIC SPHERE Return to table of contents for Issue 2 Winter 2010
ANTHONY KEY was born in South Africa, of Chinese ethnicity, and is now living in London. He received his M.A. in Fine Art from Brighton University and his PhD in Fine Art from Winchester School of Art, Southampton University. He founded Cable Street Gallery, has worked as a studio assistant to artist Ken Kiff, and was granted a residency at the Irish Museum of Modern Art in 2005. His work is held in several public and private collections internationally including The Arts Council collection and The Irish Museum of Modern Art.
Contributor Bios for Issue 2 Winter 2010
Issue 2 Winter 2010 TAO AIMIN is known for her anthropological works made from the washboards of rural woman. Over the years she has collected thousands of these boards, recording the stories and faces of the women whose hands wore these boards down through the recursive repetition of monotonous labor. Creating installations and experimental ink […]
PRACTICES, POWER & THE PUBLIC SPHERE: Dialogical Space & Multiple Modernities in Asian Contemporary Art curated by Maya Kóvskaya
CARBON excerpts from Rana Dasgupta’s photography series LIU LI TUN photography by RongRong and inri THE WALKING THE CABBAGE PROJECT (2000-2010) photography and performance art by Han Bing COMMUNIST LATENTO installation and text-based work from Raqs Media Collective NATURALISATION exploring what it means to be British/Chinese, this series by Anthony Key uses food and other […]
MAYDAY Magazine: Issue 2 Winter 2010
ART curated by Maya Kóvskaya PRACTICES, POWER & THE PUBLIC SPHERE: Dialogical Space & Multiple Modernities in Asian Contemporary Art ART NONFICTION Maya Kóvskaya Public Action Art and Performative Interventions in the Chinese Public Sphere ART NONFICTION William Hurst (performance photography by Han Bing) ORPHANS OF PROGRESS: Workers and Political Discourse in Post-Socialist China ART […]