He’s losing the lot all over again. New routines do not exist. It is mature. Everything chiseled into stone gets digitized, perhaps. Logarithms asexually inhabit the whole thing—nonplussed. The unnamable becomes ineffable as It’s damaged. We are the fabric, stitched together in storms to be torn asunder, too fast and weak for immortality. At one’s private end being embraces Its self, tumbling into the nakedness of a future dreamed. The babe is gone, but the dog worries the child into hiding somewhere in the street.
Further Reading
In Conversation with Leslie Diuguid of Du-Good Press, the First and Only Black Female Owned Fine Art Printshop in New York
by Corey Durbin
The following interview was dictated from a video conversation that took place on January 28, 2021. Leslie Diuguid: I can’t wear these. (removing headphones) Corey Durbin: I can’t hear you. LD: (muffled) . . . blah blah blah blah CD: Okay, I got you. LD: Okay, here I am, but yeah, that’s the disappointing thing. […]
Two Poems by Luis Alberto de Cuenca
translated from the Spanish by Gustavo Pérez Firmat
A witch gave you a pair of legs
(and other things I won’t mention).
Satisfied with your new body, you set off
for dry land. It was August and nobody
was surprised to see you on the beach,
naked and smiling
Cheat by Ryo Yamaguchi
The vendor calls the sandwiches by what’s not on them. We are localized—everything is at risk; the season hangs in a stiff haw. As a way of being instituted, I have been copied. I have been made in the image. O heuristic of common motion, to where do I walk when this has all gone […]
