• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer

MAYDAY

  • Culture
  • Interviews
  • Reviews
  • Nonfiction
    • Contests
  • Translation
  • Fiction
  • Poetry
  • About
    • Submit
      • Contests
      • Contest Winners
      • MAYDAY:Black
    • Open Positions
    • Masthead
    • Contributors

Chianti
by Nancy P. Davenport

July 1, 2014 Contributed By: Nancy P. Davenport

I found that bottle
of chianti

in the cabinet
for cooking

it’s nothing special—
kind of cheap,

actually

I’ve spent the hour,
the day, the week

minutes

ignoring that
it’s in there

seconds

but here it is

in front of me, the
cork pushed in

with the end of
a knife

because I threw away
my corkscrews

and I am

drinking it,

anyway.

Return to table of contents for Issue 8 Summer 2014.

You May Also Enjoy Reading...

  • Quagmire
    by Gary Fincke

    Behind our house, a soft bog Digested things that died there. I tested it with my shoes, Expected hands upraised Or at least a riot of worms. Our nervous dog skittered As if she anticipated…

  • Restoration
    by David R. Slavitt

    In Prisov, not far from Košice, a shul or rather an exhibit of itself restored, except of course for its congregation, is open for tourists to visit and inspect. On a wall are photographs of…

  • Contributor Bios for Issue 8 Summer 2014

    Issue 8 Summer 2014 HANNAH DELA CRUZ ABRAMS received the 2013 Whiting Writers' Award for her novella The Man Who Danced with Dolls and her memoir-in-progress The Following Sea. She has also been accorded a Rona Jaffe National Literary Award…

  • No Oasis
    by Michael Meyerhofer

    My mother and I went to a music store one day when I was nine or ten, skipping school because of a nervous stomach. She'd promised to buy me the sheet music for Man of La…

Filed Under: Poetry Posted On: July 1, 2014

Further Reading

Headache by Jeremy Britton

Nothing ever was the matter with Jesse’s dad. Nothing, anyway, that he could articulate to his wife and daughter. He just started drinking more beer. And after a while, inexplicably, he stopped using the garbage can. He’d drink a six pack of Bud Light and throw the empties into the grass. They lived off a […]

Nothing Bad Part 3: Opening the Door
by Mary Grimm

At the end of the path, just before the turn that would take her to the convent, she stood facing the hedge, running her hands along the bushes. “Here,” she muttered to herself, “here, here,” pushing a little at the dense green branches. And finally, her hand went in, a space big enough for a slender girl to push through.

Offerings to the Altar of St. Joseph
by J.E. Garrard

After the storm returned: We sat barefoot on the back porch, The water whipping itself into a frenzy, Us in our plastic red chairs. The oak tree leaned down to us, like God observing ants in a flood, Its shadow falling over your face, Making roots of your feet and branches of your hands. And […]

Primary Sidebar

Recently Published

  • Two Poems
    by antmen pimentel mendoza
  • An Excerpt from Until The Victim Becomes Our Own
    by Dimitris Lyacos, translated from the Greek by Andrew Barrett
  • MAYDAY Staff Poll: Best “Break Up With the Job” Films
  • Roost Profusion
    by Karen George
  • Stigmata
    by Gabriella Graceffo

Trending

  • Eight Contemporary Female Irish Artists to Fall In Love With Immediately
    by Aya Kusch
  • Transcriptions
    by Kathleen Jones
  • An Excerpt from Until The Victim Becomes Our Own
    by Dimitris Lyacos, translated from the Greek by Andrew Barrett
  • MAYDAY Staff Poll: Best “Break Up With the Job” Films
  • I Know Who Orville Peck Is
    by Robin Gow
  • Sellouts 1970: Love Story: The Year a Screenplay-Turned-Novel Almost Broke the National Book Award
    by Kirk Sever
  • This field is for validation purposes and should be left unchanged.

Footer

  • Facebook
  • Instagram
  • Twitter

Business


Reprint Rights
Privacy Policy
Archive

Engage


Open Positions
Donate
Contact Us

Copyright © 2023 · New American Press

  • This field is for validation purposes and should be left unchanged.