• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer

MAYDAY

  • Culture
  • Interviews
  • Reviews
  • Nonfiction
    • Contests
  • Translation
  • Fiction
  • Poetry
  • About
    • Submit
      • Contests
      • Contest Winners
      • MAYDAY:Black
    • Open Positions
    • Masthead
    • Contributors

Diana Rickard

DIANA RICKARD has recently had poems featured in The Outrider Review and Streetnotes. Her chapbook, Warped and Billowed, will be published in 2016 by Old Gold. She is an Assistant Professor at Borough of Manhattan Community College, CUNY. She lives in Brooklyn, NY and has a reputation for beading tape dispensers and tampons, among other things.

Contributor Bios for Issue 10 Fall 2016

October 1, 2016 Contributed By: Alicia Anderson, Allison Blevins, Amy King, Bob Petersen, Carolyn Boll, Chase Dimock, Consuelo Arias, David Eye, Deborah La Garbanza, Diana Rickard, Dionisio Cañas, Donna Fleischer, Elissa Cahn, Gabriella M. Belfiglio, J.D. Isip, Jane Eaton Hamilton, Jennifer Morales, Kelli Connell, Kelly Miller, Lee Colin Thomas, Melissa Buckheit, Merrill Cole, R.B. Mertz, Robin Reagler, Susan Lynn Solomon, Susan Oke, Terry Adams, Tyler Gillespie

Issue 10 Summer 2016 TERRY ADAMS has poems in Poetry, Ironwood, The Sun, Witness, College English, The Painted Bride Quarterly,and elsewhere. He MCs poetry events at the Beat Museum in San Francisco and in La Honda, California. His first collection, Adam’s Ribs, is available from Off The Grid Press. He rescued from oblivion and lives in Ken Kesey’s infamous 1960s cabin in La Honda, California. ALICIA […]

Filed Under: Contributor Bios Posted On: October 1, 2016

Café des Artistes
by Diana Rickard

October 1, 2016 Contributed By: Diana Rickard

Reading about Freud and arguing to myself about the origin of you-know-what it felt like I was eating wontons in peanut sauce with a small-boned girl from a broken home. It’s in these lopsided interstices you tend to ingratiate. Across the street windows are like religious emblems, a collection lining the joints, swelling exponentially. Our […]

Filed Under: Poetry Posted On: October 1, 2016

MAYDAY Magazine: Issue 10 Fall 2016

October 1, 2016 Contributed By: Alicia Anderson, Allison Blevins, Amy King, Bob Petersen, Carolyn Boll, Chase Dimock, Consuelo Arias, David Eye, Deborah La Garbanza, Diana Rickard, Dionisio Cañas, Donna Fleischer, Elissa Cahn, Gabriella M. Belfiglio, J.D. Isip, Jane Eaton Hamilton, Jennifer Morales, Kelli Connell, Kelly Miller, Lee Colin Thomas, Melissa Buckheit, Merrill Cole, R.B. Mertz, Robin Reagler, Susan Lynn Solomon, Susan Oke, Terry Adams, Tyler Gillespie

MAYDAY Magazine: Issue 10 Fall 2016

EDITORS’ INTRODUCTION Chase Dimock & Amy King LGBT Writing and the 21st Century FEATURED ARTIST Kelli Connell Double Life NONFICTION Alicia Anderson Nichts passiert in München (Nothing Happens in Munich) Consuelo Arias From New York City to Mar Chiquita: Evocations of a Singular Friendship Merrill Cole The Blond Sheep David Eye Messages from Howard Tyler […]

Filed Under: Issues Posted On: October 1, 2016

Primary Sidebar

Recently Published

  • Inside the Kaleidoscope
    by Jane O. Wayne
  • Two Poems by Luis Alberto de Cuenca
    translated from the Spanish by Gustavo Pérez Firmat
  • I Hope Your Birthday Is So Beautiful, It Hurts to Look at It
    by Josette Akresh-Gonzales
  • Concerning My Daughter by Kim Hye-jin
    translated from the Korean by Jamie Chang,
    reviewed by Jacqueline Schaalje
  • Verge
    by William Cordeiro

Trending

  • Eight Contemporary Female Irish Artists to Fall In Love With Immediately
    by Aya Kusch
  • Cool Uncle
    by Emmett Knowlton
  • Sellouts 1970: Love Story: The Year a Screenplay-Turned-Novel Almost Broke the National Book Award
    by Kirk Sever
  • I Hope Your Birthday Is So Beautiful, It Hurts to Look at It
    by Josette Akresh-Gonzales
  • Painting to Empower: An Interview with Artist Harmonia Rosales
    by Aya Kusch
  • I Know Who Orville Peck Is
    by Robin Gow
  • This field is for validation purposes and should be left unchanged.

Footer

  • Facebook
  • Instagram
  • Twitter

Business


Reprint Rights
Privacy Policy
Archive

Engage


Open Positions
Donate
Contact Us

Copyright © 2023 · New American Press

  • This field is for validation purposes and should be left unchanged.