• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer

MAYDAY

  • Culture
  • Interviews
  • Reviews
  • Nonfiction
    • Contests
  • Translation
  • Fiction
  • Poetry
  • About
    • Submit
      • Contests
      • Contest Winners
      • MAYDAY:Black
    • Open Positions
    • Masthead
    • Contributors

Stephen Gibson

STEPHEN GIBSON is the author of seven poetry collections: Self-Portrait in a Door-Length Mirror (2017 Miller Williams Prize winner, selected by Billy Collins, University of Arkansas Press), The Garden of Earthly Delights Book of Ghazals (Texas Review Press), Rorschach Art Too (2014 Donald Justice Prize, Story Line Press), Paradise (Miller Williams finalist, University of Arkansas Press), Frescoes (Lost Horse Press book prize), Masaccio’s Expulsion (MARGIE/IntuiT House book prize), and Rorschach Art (Red Hen Press). The poems in Issue 13 Summer 2018 are from a forthcoming collection, Obsessed.

Japanese Bondage Erotica
by Stephen Gibson

January 1, 2018 Contributed By: Stephen Gibson

The need to be restrained is a given— by rope, by ball-gag riding bit, by chain: the art of knot tying is not for everyone, but the need to be restrained? A given. Everyone understands love brings pain— this is its visible, exaggerated expression. The need to be restrained is a given— by rope, by […]

Filed Under: Poetry Posted On: January 1, 2018

Japanese Sex Doll Erotica
by Stephen Gibson

January 1, 2018 Contributed By: Stephen Gibson

It’s possible in one’s soul to feel this lonely and, so, to purchase someone to caress, if not in flesh and blood, then in latex. It’s possible in one’s soul to feel this lonely. Girl-Who-Always-Smiles is an anomaly— Girl-Who-Opens-Mouth is big business. It’s possible in one’s soul to feel this lonely and, so, to purchase […]

Filed Under: Poetry Posted On: January 1, 2018

MAYDAY Magazine: Issue 12 Winter 2018

January 1, 2018 Contributed By: Amy Sawyer, Bilal Shaw, Brian Kamsoke, Brian Satrom, C. Kubasta, Clarisse Francillon, Darren Demaree, David Bowen, David Macey, Devon Balwit, Divya Rajan, Donna Pucciani, Eric Shonkwiler, Erinn Seifert, Evan Baden, Ghalib, Grzegorz Wróblewski, Hedy Habra, Ian Haight, J. Kates, James Brunton, Jesse DeLong, Jesse Tangen-Mills, José Daniel García, Julian Cola, Karl-Heinz Ott, Kevin J.B. O'Connor, Leonard Kress, Liz Egan, M.A. Istvan Jr., Malcolm Cumming, Martial, Martyna Buliżańska, Matthew Guenette, Michelle Bailat-Jones, Mollie Boutell, Nicholas Manning, Nick Conrad, Pamela Miller, Peter Burzyński, Peter Woltemade, Robert Cowan, Robert Joe Stout, Robert Nazarene, Rush Rankin, Ruth Awad, Sergio Ballouk, Stephen Gibson, Tatiana Neshumova, Todd Osborne, Tony Barnstone

MAYDAY Magazine: Issue 12 Winter 2018

INTERVIEWS Eric Shonkwiler interviewed by David Bowen Power & Light Juan Gelacio interviewed by Robert Joe Stout Invisible on Paper ESSAYS Leonard Kress What Kind of Parent Lets a Thirteen-Year-Old Cancel Her Bat Mitzvah? Erinn Seifert Changing FICTION Mollie Boutell Intimates Malcolm Cumming Mere Anarchy Liz Egan Sgt. Lawson Brian Kamsoke Useful Things POETRY Ruth […]

Filed Under: Issues Posted On: January 1, 2018

« Previous Page

Primary Sidebar

Recently Published

  • Two Poems
    by antmen pimentel mendoza
  • An Excerpt from Until The Victim Becomes Our Own
    by Dimitris Lyacos, translated from the Greek by Andrew Barrett
  • MAYDAY Staff Poll: Best “Break Up With the Job” Films
  • Roost Profusion
    by Karen George
  • Stigmata
    by Gabriella Graceffo

Trending

  • Eight Contemporary Female Irish Artists to Fall In Love With Immediately
    by Aya Kusch
  • Transcriptions
    by Kathleen Jones
  • An Excerpt from Until The Victim Becomes Our Own
    by Dimitris Lyacos, translated from the Greek by Andrew Barrett
  • MAYDAY Staff Poll: Best “Break Up With the Job” Films
  • I Know Who Orville Peck Is
    by Robin Gow
  • Sellouts 1970: Love Story: The Year a Screenplay-Turned-Novel Almost Broke the National Book Award
    by Kirk Sever
  • This field is for validation purposes and should be left unchanged.

Footer

  • Facebook
  • Instagram
  • Twitter

Business


Reprint Rights
Privacy Policy
Archive

Engage


Open Positions
Donate
Contact Us

Copyright © 2023 · New American Press

  • This field is for validation purposes and should be left unchanged.