Italian poet Franca Mancinelli has internalized the landscape she grew up in poetically to express some of her deepest emotions. Beginning from the tremors, earthquakes and mudslides of her life and landscape, the poet develops her riveting ars poetica. “I have often felt that I carry writing in my body,” she writes, “that I have been inscribed in the darkness. (…) We are the imprint of the time that has been, of the life that has passed through us. By writing we bring to light these signs that we contain, as they are, obscure and indecipherable to us. It is like leaning over a threshold that looks into the void. We are between the unknown and nothingness.”
John Taylor
JOHN TAYLOR's most recent translations are, from the French, José-Flore Tappy’s Trás-os-Montes (The MadHat Press) and Philippe Jaccottet’s Ponge, Pastures, Prairies (Black Square Editions), as well as, from the Italian, Franca Mancinelli’s The Butterfly Cemetery: Selected Prose 2008-2021 (The Bitter Oleander Press). His most recent books of poetry are Transizioni, a bilingual volume published in Italy by LYRIKS Editore and illustrated by the Greek artist Alekos Fassianos, and Remembrance of Water & Twenty-Five Trees (The Bitter Oleander Press), illustrated by the French artist Caroline François-Rubino. He lives in France.
The Butterfly Cemetery by Franca Mancinelli translated from the Italian by John Taylor,
From Decarceration by Charline Lambert
Translated from the French by John Taylor
Before grasping, taking
the pulse,
consider the litigation
